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2015 | Hodara, Susan. “At Polich Tallix Fine Art Foundry, Master of Metals Is Artists’ Ally.” The New York Times. TheNewYorkTimes.Com, Inc. Web. 31 January 2015.Plagens, Peter. “An Enlightenment Through Darkness and the Grotesque.” The Wall Street Journal. WSJ.Com. Web. 27 February 2015. |
2014 | Belasco, Daniel. Dick Polich, Transforming Metal into Art. Exh. Cat. New Paltz, NY: Samuel Dorsky Museum of Art, State University of New York at New Paltz, 2014. 38, 76-79. Print.Bui, Phong. “The Beginning.” Come Together: Surviving Sandy, Year 1. 1st ed. Ed. Jack Flam. Italy: Skira Editore, Milano; New York: The Brooklyn Rail; New York: Dedalus Foundation, 2014. 21, 52, 57, 76-77, 231. Print. Çagdaş, Fuat. “New York’tan Istanbul’a Sergi Açmaya Geldi.” Samdan May 2014: 82-83. Print. Çapan, Gülben. “Kafka’yla dönüşen heykeller.” Istanbul Art News May 2014: 26. Print. DeWoody, Beth Rubin, and Paul Morris. Look at Me, Portraiture from Manet to the Present. Exh. Cat. New York, NY: Leila Heller Gallery, 2014. 113. Print. Ekiz, Suat. “Krampf Gallery, New York’tan Sonra Istanbul’da.” Hello May 2014: 140. Print. Fossati, Filippo and Maurizio Pellegrin. The Paradox of Sculpture. Exh. Cat. New York, NY: National Academy School, 2014. Print. Getsy, David J. “Sculpture since 1960.” Encyclopedia of Aesthetics. 2nd ed. Vol. 5. Ed. Michael Kelly. New York: Oxford University Press, 2014. 529-534. Print. Johnson, Ken. Landi, Ann. “When Is an Artwork Finished?” ARTnews February 2014: 78-83. Print. MacAdam, Barbara. “‘The Paradox of Sculpture,’ National Academy.” ARTnews May 2014: 102. Print. Pondick, Rona. “Rona Pondick.” The Figure, Painting, Drawing, and Sculpture, Contemporary Perspectives. Ed. Margaret McCann. New York: Skira Rizzoli Publications, 2014. 205-207. Print. Scanlan, Jennifer. Back to Eden, Contemporary Artists Wander the Garden. Exh. Cat. New York, NY: Museum of Biblical Art, 2014. 22-23. Print. Smee, Sebastian. “Worcester’s ‘You Are Here’ captivates with contemporary art.” The Boston Globe 11 January 2014. Print. |
2013 | Allen, Mike. “It’s a technology take-over in ‘Two Trees’.” The Roanoke Times 25 October 2013: Arts & Extras cover, 6. Print. Bui, Phong. “In Conversation, Rona Pondick with Phong Bui.” The Brooklyn Rail March 2013: cover, 24-27. Print.Chow, Veronica. “Journey of Evolution.” Harper’s Bazaar Hong Kong December 2013: 100-105. Print.
Levin, Kim. “Rona Pondick.” Sculpture December 2013: 7. Print. McClemont, Doug. “Rona Pondick.” ART + AUCTION June 2013: 151. Print. Princenthal, Nancy, et al. “Spellbound.” The Reckoning, Women Artists of the New Millennium. Munich, London, New York: Prestel, 2013. 68-77. Print. “Rona Pondick at Sonnabend Gallery.” Merrily Kerr New York Art Tours. New York Art Tours. Web. 11 April 2013. “The Sonnabend Collection.” Wall Street International. Wall Street International Magazine, 23 May 2013. Web. 24 May 2013. Wright, Ava. “Sculptor Rona Pondick: Fragmentation, Contradictions and Psychological Layering.” Contemporary Art Globally Speaking. Contemporary Art Globally Speaking, April 2013. Web. 15 April 2013. Wright, Ava. “Artists: Altmejd, Pondick and Johnson.” Contemporary Art Globally Speaking. Contemporary Art Globally Speaking, March 2013. Web. 8 March 2013. |
2012 | Changing States of Matter. Milan, Italy: Brand New Gallery, 2012. 5, 48-49. Print.“Changing states of matter.” Exibart.com. Exibart International. Web. 31 May 2012.
“‘Changing states of matter’ at Brand New Gallery, Milan.” Mousse Magazine. Mousse Magazine and Publishing. Web. 6 July 2012. Hoffman, Sara. “Rona Pondick.” The Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. Ed. Miranda Lash. London: Scala Publishers Ltd; New Orleans, LA: New Orleans Museum of Art, 2012. 142-143. Print. Liuzzi, Sara. “Bis alla Brand New Gallery di Milano: Cristina Lei Rodriguez | Changing States of Matter.” International Business Times. IBT Media Inc. Web. 30 May 2012. Nahmod, David Elijah. “Trees of life, An exploration of San Francisco’s Contemporary Jewish Museum’s new exhibit, ‘Do Not Destroy: Trees, Art and Jewish Thought.’” The Times of Israel. The Times of Israel. Web. 26 February 2012. Phillips, Ian. “Ad Bei…Thaddaeus Ropac.” Architectural Digest, Die Schönsten Häuser Der Welt No. 132 September 2012: 240-241. Print. Solomon, Dara. Do Not Destroy: Trees, Art, and Jewish Thought. San Francisco, CA: Contemporary Jewish Museum, 2012. 15, 73. Print. Turton-Turner, Pamela. “The ‘Maternal’ Feminist: Exploring the Primal in Women’s Art.” Studies in the Maternal Volume 4 Issue 1 2012: 9-15. Print. |
2011 | Anker, Suzanne. “Fundamentally Human: Contemporary Art and Neuroscience.” Fundamentally Human. Istanbul, Turkey: Pera Museum, 2011. 23-53, 74-77. Print..Armstrong, Richard. Ileana Sonnabend, An Italian Portrait. Venice, Italy: The Solomon R. Guggenheim Foundation, 2011. 9. Print.Artoni, Margherita. “Interview with Rona Pondick.” American Dream. Rome, Italy: Valentina Bonomo Roma, 2011. 34-41. Print.
Bulut, Ümran. “‘Temelde Insan’ ve ‘Ihsan Cemal Karaburçak’ sergileri 3 Temmuz’ a dek Pera Müzesi’nde, Baska türlü manzaralar.” Cumhuriyet, Günlük Ulusal Gazete 16 June 2011: 16. Print. Cahill, Zachary. “‘Never Let Me Go,’ Rhona Hoffman Gallery.” Artforum June 2011. Print. Carvani, Ilaroa. “American Dream, Roma, Galleria.” Exibart.com. Exibart International. Web. 16 April 2011. Circa 1986. Exh. Cat. Peekskill: Hudson Valley Center for Contemporary Art; Amsterdam: Black Cat Publishing, 2011. Cover, 45, 70. Print. De Sanctis, Linda. “Sogno a stele e strisce tra acquarelli e collage.” La Repubblica.it 26 March 2011: 21. Print. “Dream Team.” Ilgiornaledell’arte.com. The Art Newspaper. Web. April 2011. Driessen, Chris, and van Mierlo, Heidi, eds. Raw Stardust, Excursions in Contemporary Sculpture II. Tilburg, The Netherlands: The Fundament Foundation, 2011. 32-33. Print. Ferri, Patrizia. “American Dream, Valentina Bonomo, Roma.” Flash Artonline.it, La prima rivista d’arte in Europa. Giancarlo Politi Editore. Web. April 2011. Laferriere, Catherine. “Naked.” Artscope Magazine v.6 no.3 July/August 2011: 12. Print. Manzari, Fabrizio. “American Dream XXI secolo.” Sguardo Contemporaneo, cura e critica d’arte. Associazone Culturale Sguardo Contemporaneo. Web. April 2011. McQuaid, Cate. “In the flesh.” The Boston Globe 20 July 2011. Print. Oynar, Hande. “In Focus at Pera Museum: Human Nature.” The Guide Istanbul May-June 2011: 74-77. Print. Weiermair, Peter. “Dietgard Grimmers Zoo.” Froschbärfant und andere Tiere in der Kunst. Salzburg, Austria: Galerie im Traklhaus, 2011. 11-12, 27. Print.. |
2010 | “Fotos bei Ropac, Zirkuswelten in der Altstadt.” Kronen Zeitung, Salzburg 24 January 2010: 26. Print.MacAdam, Barbara A. “Self-Portrait as Muskrat, Monkey, and Mouse,” ARTnews May 2010: 92-97. Print. Palmer, Carleton. “Metamorphoses: Rona Pondick at NCMA March 13 through May 23,” Long Island Contemporary Arts Examiner 6 March 2010. Print.Shea, Andrea. “DeCordova Curator Gets His Own ‘Otter.’” 90.9 WBUR, News. NPR, Boston. Web. 6 December 2010. “Vernissage, Galerie Ropac.” Salzburger Nachrichten 23 January 2010: 23. Print. |
2009 | Bergeron, Chris. “Rona Pondick’s sculptures are an amalgam of the ancient and the modern.” The Metrowest Daily News 17 May 2009: C1, C7. Print. class=”headlink2″ target=”_blank”>Bey, Dawoud. “A Couple of Thoughts in/on Passing: Rona Pondick and Roy DeCarava.” Whatsgoingon-dawoudbeysblog.blogspot. What’s Going On? Dawoud Bey’s Blog. Web. 2 November 2009.Braat, Manon. “Rona Pondick.” Grotto/Stardust. Tilburg, The Netherlands: Fundament Foundation, 2009. 12. Print.
Gilman, Amy. Toldeo Museum of Art Masterworks. Toledo, Ohio: Toledo Museum of Art, 2009. 357. Print. Hart, Dakin. “A Museum of Rona Pondick’s Making.” Rona Pondick: The Metamorphosis of an Object. Worcester, Massachusetts: Worcester Art Museum, 2009. 29-41. Print. McQuaid, Cate. “This ‘Metamorphosis’ spans centuries.” The Boston Globe 26 April 2009: N5. Print. McQuaid, Cate. “Fluent in confluences.” The Boston Globe 23 September 2009: 2, 4. Print. Wei, Lilly. “Arnhem, The Netherlands, Sonsbeek 2008.” Sculpture June 2009: 76-77. Print. “Worcester Art Museum.” Sculpture September 2009: 21. Print. |
2008 | “Au Palais des Beaux-Arts de Lille, Goya, le grand dénonciateur.” La Gazette Nord-Pas de Calais 8 May 2008: 12. Print.C.S. “Les Beaux-Arts s’offrent un Caprice, Le musée expose pour la première fois dans son intégralitè une série de gravures de Goya.” Métro 23 April 2008. Print.“Caprices fabuleux d’hier et d’aujourd’hui.” Lille Magazine May 2008: 39. Print.
Doudelet, Roland. “Pérennité de la série « Les Caprices » au palais des Beaux-Arts de Lille, A la lumière de Goya.” Le Jeudi 8 May 2008. Print. Eshoo, Amy. A New York Drawing Collection at Work, 1991-2006.New York: Fifth Floor Foundation; New Haven: Yale University Press, 2008. 155, 162, 171-72. Print. Flouque, Sophie. “Gravure Éternels « Caprices ».” Le Journal des Arts 23 May-5 June 2008. Print. Gauyat, Pierre. “Côté expo, « Goya, les Caprices » au Palais des Beaux-Arts de Lille, Les pensées illustrées.” Liberté Hebdo 13-19 June 2008: 22-23. Print. Gilsoul, Guy. “Goya le terrible.” Le Vif / L’express 20 June 2008: 111. Print. “Goya in Lille en Parijs, Los Caprichos Toen en Nu.” Fine Arts Magazine Summer 2008. Print. “Goya – Les caprices.” Mémoire des arts July-August 2008: 13. Print. “Goya: Les Caprices.” The Bulletin 24 April 2008: 13. Print. Houston, Joe. “The Alchemical Forest.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008. 89-107. Print. “Installation, Orchestration minutieuse pour « Caprices » d’hier et d’aujourd’hui.” La Voix du Nord 18 April 2008. Print. Koplos, Janet. “Out of the Woods, Two sculpture exhibitions in Dutch parks last summer translated their intellectual programs into compelling visual encounters.” Art in America October 2008: 80-85. Print. “L’expo Goya s’installe aux Beaux-Arts.” Métro 17 April 2008. Print. L.G. “L’installation, c’est tout un art!” Nord Éclair 20-21 April 2008. Print. “Lille, Goya et ses caprices.” Voyages Voyages June 2008. Print. “Lille, Le palais des Beaux-Arts termine l’installation Goya.” La Voix du Nord 17 April 2008. Print. Martí, Octavi. “La muy española primavera francesa,” El Pais 10 May 2008. Print. Méreau, Julia. “Des Caprices de Goya à Rona Pondick.” Nord Éclair 12 June 2008. Print. O.A. “Les Beaux-Arts soulignent la modernité de Goya.” 20 minutes 25 April 2008. Print. “On en Reparlera, Goya au palais des Beaux-Arts.” La Voix du Nord 24 April 2008. Print. Piras, Sebastian. A Pocketful of Contemporary Aritsts. Mulgrave Victoria, Australia: Peleus Press, 2008. 182-83. Print. Seban, Alain. Collection Florence and Daniel Guerlain: Dessins New York 2008. Exh. cat. Les Mesnuls, France: Ammiimages, 2008. Print. Soyez, Fabien. “Les Caprices de Goya de retour aux Beaux Arts.” La Croix du Nord 9-15 May 2008. Print. Theyrez, Emmanuelle. “Goya, ‘capricieux’ et intemporel.” Face Grand May 2008. Print. Tilroe, Anna. “Wisdom–Rona Pondick.” Sonsbeek 2008: Grandeur. Exh. cat. Arnhem, Netherlands: Thieme Art, Deventer, Stichting Sonsbeek Internationaal, 2008. 81-87, 262, 273. Print. Tilroe, Anna. “Rona Pondick.” Sonsbeek 2008: Grandeur. Visitor guide. Netherlands: Stichting Sonsbeek Internationaal, 2008. 14-15. Print. Urbancic, Vojko. “Novost, Rona Pondick.” [Newness: Rona Pondick]. Delo 13 October 2008: 10. Print. Voiturier, Michel. “Goya, actuel car intemporel.” Courrier de l’escaut 12 July 2008. Print. Vouters, Bruno. “À Lille, les Caprices de Goya jouent les prolongations!” La Voix du Nord 24 May 2008. Print. |
2007 | Cameron, Dan, Peter B. Lewis, and Toby Devan Lewis. Foreword by Toni Morrison. ArtWorks: The Progressive Collection. New York: Distributed Art Publishers, 2007. 154-55. Print.Collins, Judith. Sculpture Today. London: Phaidon Press Limited; New York: Phaidon Press Inc., 2007. 90, 94. Print.McQuaid, Cate. “Exploring the Mysteries of ‘Cosmoses.’” Boston Globe 2 August 2007: E8. Print.
Posner, Helaine, and Nancy Princenthal. After the Revolution: Women Who Transformed Contemporary Art. Munich: Prestel Verlag, 2007. 43-45, 141. Print. |
2006 | “Rona Pondick.” New Yorker 26 April 2006: 30. Print.Johnson, Ken. “Rona Pondick.” New York Times 14 April 2006: E32. Print.Weiermair, Peter. Eccentrics. Exh. cat. Kraichtal, Germany: Ursula Blickle Foundation, 2006. 5-7, 76-84, 120-23, 130-31. Print.
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2005 | Piguet, Philippe. Collection 2. Collection Claudine et Jean-Marc Salomon. Exh. cat. Annecy, France: Fondation pour l’art contemporain Claudine et Jean-Marc Salomon,2005. 4, 94-99. Print.Steffen, Barbara, and Mary Anne Redding. Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York. Exh. cat. Vienna: Edition Sammlung Essl, 2005. 114, 139, 146, 274. Print. |
2004 | Anker, Suzanne, and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age. New York: Cold Spring Harbor Laboratory Press, 2004. Cover, 62, 64. Print.Biro, Matthew. “Rona Pondick: Sculpture, 1992–2003.” Art Papers January/February 2004: 50-51. Print.Morrisroe, Julia. “Rona Pondick: Sculpture, 1992–2003.” Dialogue March/April 2004: 35. Print.
Ostrow, Saul. “Rona Pondick: Mixed Fictions.” Angle 16 September/October 2004: 9. Print. “Rona Pondick: ‘Recent Work’ at MOCA Cleveland.” Bridge June/July 2004. Print. Tranberg, Dan. “Classical and Digital Worlds Inspire Sculpture.” Plain Dealer 22 May 2004: E1, E6. Print. |
2003 | Chessler, Suzanne. “Taking Cues from Kafka.” Jewish News 26 September 2003. Print.Cohen, Keri Guten. “Sculptor Puts Herself into Her Work.” Detroit Free Press 28 September 2003: 6E. Print. Colby, Joy Hakanson. “If You Can Get Past the Opening, You’ll Enjoy the Exhibit.” Detroit News 18 October 2003. Print. Fifield, George. “Rona Pondick’s Monsters of Fear and Desire.” Sculpture September 2003: 34-39. Print. Green, Roger. “Artists Armed with Body Parts.” Ann Arbor News 9 November 2003: C4. Print. Haddad, Natalie. “The Metamorphosis.” Detroit Weekly 12 November 2003: 25. Print. Heeger, Susan. “Spiritual Roots.” Los Angeles Times Magazine 21 September 2003: 24-28. Print. Johnson, Ken. “The New Season/Art.” New York Times 7 September 2003: 97. Print. Kinghorn, George. “Substance of Skin.” Skin: Contemporary Views of the Body. Exh. cat. Jacksonville: Jacksonville Museum of Modern Art, 2003. 6, 26-27. Print. Mannistoe, Glen. “Metallic Poses: Rona Pondick’s Arresting Hybrids.” MetroTimes 15 October 2003: 26-27. Print. Stafford, Nicole. “What Do You See?” Observer & Eccentric 25 September 2003: cover, E11, E15. Print.
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2002 | Basile, diFranco. “Visionaria Rona. Alla GAM.” Il Resto del Carlino 5 April 2002: xxx. Print.“Beelden van Rona Pondick in Groninger Museum.” DB v/h N. ed. Stad en Haren, Db v/h N. ed. Drenthe Noord 14 September 2002: 23. Print.Camhi, Leslie. “An Artist’s Metamorphosis: Zoo Story.” Village Voice 30 April 2002: 63. Print.
Cozzolino, Francesca. “Rona Pondick.” Flash Arte 21 June 2002. Print. Eccher, Erica. “Acciaioghiaccio—Rona Pondick.” Exibart no.2 May 2002: 14. Print. “Expositie van Pondick in Groninger Museum.” Leeuwarder CRT ed. Stad, Leeuwarder Crt ed. Zuid 9 September 2002: 11. Print. Henser, Chilla. “Audacious Rona.” First Class Paris 9 April 2002: 20. Print. MacAdam, Barbara A. “Rona Pondick.” Art News Summer 2002: 177-78. Print. Mine, Molly. “Rona Pondick.” Paris Capitale February 2002. Print. Pollack, Barbara. “Working Vacation.” Village Voice 23 July 2002: 46-47. Print. Princenthal, Nancy. “A Dreamlike Melding of Human, Beast and Steel.” New York Times 7 April 2002: 33, 35. Print. Robinson, Walter. “Weekend Update.” Artnet Magazine 29 April 2002. Print. “Rona Pondick.” Kunstbeeld September 2002. Print. “Rona Pondick.” Man August 2002. Print. Rosen, Anna. “Rona Pondick.” Urbuz 5 March 2002. Print. Steinberg, Claudia. “Schimaren Bologna. Rona Pondick.” Kunstzeitung June 2002: 15. Print. Temin, Christine. “Exhibit Puts Disturbing Face on Sculptor’s Work.” Boston Globe 28 August 2002: D1, D6. Print. Van Der Beek, Wim. “Rona Pondick.” Kunstbeeld December 2002. Print. Van Der Zijpp, Sue-an. “The Transformations of Rona Pondick.” Groninger Museum Magazine October 2002-January 2003: 8-13, 20-23. Print. Weiermair, Peter. “Considerations about the Work of Rona Pondick.” Rona Pondick. Exh. cat. New York: Sonnabend Press, 2002. 7-10. Print. Zaya, Octavio. “Rona Pondick: The Metamorphosis of an Object Maker: An Interview with Rona Pondick.” Rona Pondick. Exh. cat. New York: Sonnabend Press, 2002. 111-139. Print. |
2001 | Fifield, George. “Mindshare: Headshrinker.” Artbyte January-February 2001: 6, 20-21. Print. Fifield, George. “Rona Pondick.” Bomb 77 Fall 2001: 103-04. Print.Mondloch Loreto, Katie. “Rona Pondick.” Tema Celeste Summer 2001: 92. Print.
Morgan, Margaret. “Rona Pondick.” Artext 74 August-October 2001: 87. Print. Phelan, Peggy, and Helena Reckitt. Art and Feminism. London: Phaidon Press, 2001. 18, 163, 276. Print. |
2000-2001 | Fifield, George. “Rona Pondick: Lifelike, Unnatural, Hybrid Sculptures Address Questions of Fear and Desire.” Art New England 221 December 2000-January 2001: 3, 75. Print. |
2000 | Baer, Josh. “Art by Numbers.” New York19 June 2000: 14. Print.Balken, Debra Bricker. “Drawing in the Present Tense.” Exh. cat. New York: Parsons School of Design, 2000. 36-37. Print.Fineberg, Jonathan. Art Since 1940: Strategies of Being. 1995. Englewood Cliffs, N.J.: Prentice Hall, 2000. 467. Print.
Gabriel, Nelly. “Biennale. L’art contemporain mondial à la Halle.” Lyon Figaro 27 June 2000: 21-22. Print. Kaufman, Jason Edward. “Grasping the Global.” Artnet Magazine July 2000: 1-4. Print. Levin, Kim. “Border Crossings.” Village Voice 26 July-1 August 2000. Print. Martin, Jean-Hubert. “L’Express. Biennale d’art contemporain de Lyon.” Exh. broch. Lyon, France: Lyon Biennale, 2000. 8-12. Print. Martin, Jean-Hubert. “Partage d’Exotismes.” 5ème Biennale d’art contemporain de Lyon. Exh. cat. Lyon, France: Lyon Biennale, 2000. Vol. 2, 32-33, 210. Print. Princenthal, Nancy, and Janet Zweig. Chain 7: memoir/antimemoir. Manoa: University of Hawaii, Manoa, 2000. 155, 241. Print. Weibel, Peter. Der Anagrammatische Korper. Exh. cat. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie Karlsruhe, 2000. Sec.1; 19. Print. Zaya, Antonio. Erresistentziak Resistencias. Exh. cat. San Sebastian, Spain: Koldo Mitxelena Kulturunea Donostia-San Sebastian, 2000. 52-55, 156-59, 170. Print. |
1999 | Guggenberger, Ulrike. “Ert auf den Schrottplatz.” Salzburger Nachrichten 6 August 1999: 15. Print.Mechelen, Marga van. “Ekelkunst als Diskurs über die Geschlecter.” Zeitschrift für Semiotik 21, no. 3, 1999: 374-77. Print. Motsschlmaier, W. “Positionsreihe 7.” Salzburger Nachrichten 21 July 1999: 10. Print.
“Salzburger Festspiele Rupertinum,” Salzburger Nachrichten 24 July 1999: 33. Print. Schneider Adams, Laurie. Art Across Time. Boston: McGraw-Hill College, 1999. 934-35. Print. Von Kreibig, Uwe. “Erstes Raumschiffzur Venus.” Free Press 1999. Print. Wolf, Robert. “Rupertinum. Rona Pondick zeight beeindruckende Installationen in Humaner Gesinnung.” SVZ 21 July 1999: 9. Print. |
1998 | Berends, Jeroen. “What Remains.” Groninger Museumkrant Fall 1998: 13-14. Print. Camhi, Leslie. “Woman on the Verge: Yayoi Kusama Returns Right on Time.” Village Voice 14 July 1998: 37. Print.Chadwick,Whitney. Mirror Images, Women, Surrealism, and Self-Representation. Cambridge, Mass.: MIT Press, 1998. 20-21, pl. 3, 24. Print.
Greben, Deidre, Stein. “Rona Pondick.” Art News February 1998: 120. Print. Heartney, Eleanor. “Report from Johannesburg: Mapping the Postcolonial.” Art in America June 1998: 51-55. Print. Hixson, Kathryn. “Business as Usual? Art World Post-Nationals in a New Nation State: The 1997 Johannesburg Biennale.” New Art Examiner 25 March 1998: 27-31. Print. Hoptman, Laura. “The Return of Yayoi Kusama.” Museum of Modern Art Bulletin July/August 1998: 8. Print. Landi, Ann. “Beating the Post-Show Blues.” Art News 97 November 1998: 156-58. Print. McQuaid, Cate. “Drawing on the Mantra ‘I Want.’” Boston Globe 4 June 1998: E1-E4. Print. Pondick, Rona. 12345. Boston: Howard Yezerski Gallery, 1998. Print. Princenthal, Nancy. “Artist’s Book Beat.” On Paper 2 July-August 1998: 50-55. Print. Silver, Joanne. “Ears Speak of Longing in Pondick’s Drawings.” Boston Herald 22 May 1998. Print. Temin, Christine. “Two Blossoms at the Rose.” Boston Globe 11 December 1998: D1, D12-13. Print. Zaya, Octavio, and Antonio Zaya. “Desde Sudafrica.” Atlántica Internacional Revista de las Artes 19 Winter 1998: 10, 123-24. Print. Zelevansky, Lynn. “Driving Image: Yayoi Kusama in New York.” Love Forever: Yayoi Kusama, 1958–1968. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 1998. 30. Print. Zimmer, William. “Inviting or Not, What Do Beds Mean?” New York Times 4 October 1998. 18. Print. |
1997 | Arkhipoff, Elisabeth, and Sarah de Haro. “Sous le manteau.” Nova Magazine March 1997. Print.Bristowe, Anthea. “Johannesburg Biennial 1997.” Art News January 1997: 141-42. Print.
Deans, Jeanie. Tree head room. Exh. cat. New York: Sidney Janis Gallery, 1997. Print. Enwezor, Okwui, and Octavio Zaya. “Trade Routes: History and Geography.” Second Johannesburg Biennale Fall 1997: 180-81. Print. Heinick, Angelika. “Kleid, rührendstes aller Symbole.” Frankfurter Allgemeine Zeitung 19 April 1997: 91. Print. Horodner, Stuart, ed. “Frankenstein.” New Observations 114 Spring 1997: 28. Print. Johnson, Ken. “Rona Pondick.” New York Times 3 October 1997: E35. Print. Koplos, Janet. “Art on Stage.” Art in America September 1997: 51-55. Print. Kuspit, Donald. “The Problem of the Jewish-American Artist.” New Art Examiner April 1997: 30-35. Print. Picasso, Sydney. “Visions d’artistes.” Vogue (Paris) 775 March 1997: 16-19. Print. Schor, Mira. Wet: On Painting, Feminism, and Art Culture. Durham, N.C.: Duke University Press, 1997. 194, 225 n.13. Print. St. Sauveur, Michele. “Embedded Metaphor.” New Art Examiner March 1997: 43. Print. |
1996 | Boodro, Michael. “Biting Wit.” Vogue December 1996: 204. Print.Gill, Sharon. Outer Layer. Exh. cat. Summit, N.J.: New Jersey Center for Visual Arts, 1996. 2-3. Print.Glueck, Grace. “Menorah by Chanel, Barbie as Shiksa-Goddess.” New York Observer 25 March 1996: 21. Print.
Jones, Amelia. Sexual Politics: Feminist Strategies, Feminist Conflicts, Feminist Histories. Exh. cat. Los Angeles: UCLA at the Armand Hammer Museum of Art and Cultural Center, 1996. 27, 257. Print. Kleeblatt, Norman. Too Jewish? Challenging Traditional Identities. Exh. cat. New Brunswick, N.J.: New Jewish Museum and Rutgers University Press, 1996. 18, 19, 145. Print. Kotik, Charlotta. Mine. Exh. broch. Brooklyn, N.Y.: Brooklyn Museum of Art, 1996. Print. Levin, Kim. “Voice Choices: Brooklyn Museum.” Village Voice 19 November 1996: 11. Print. McQuaid, Cate. “Turning a Worldly Eye on Innocence.” Boston Globe 22 February 1996: 74. Print. Melrod, George. “Openings.” Art and Antiques February 1996: 26. Print. Pagel, David. “Pleasure and Pain.” Los Angeles Times 25 April 1996: F11. Print. Pedersen, Victoria. “Gallery Go Round.” Paper December 1996: 140. Print. Temin, Christine. “Just Can’t Stop That Pop.” Boston Globe 13 November 1996: F1, F4. Print. |
1995 | Benvenuto, Christine. “Mixing It Up.” Amherst Bulletin 24 February 1995. Print.Cork, Richard. “Objects of Obscure Desire.” Times 16 May 1995: 1. Print.Feinberg, Jean E. New Art 4: A Conversation Between Rona Pondick and Jean Feinberg. Exh. broch. Cincinnati, Ohio: Cincinnati Art Museum, 1995. Print.
Hagen, Charles. “Inside Out.” New York Times 14 June 1995: C16. Print. Hapgood, Susan, Suzanne Ramljak, and Ann Wilson Lloyd. Object Lessons. Exh. cat. Boston: Massachusetts College of Art, 1995. Print. Harris, Susan. “New York.” Art Press July-August 1995: 11. Print. Levin, Kim. “Voice Choice.” Village Voice 25 April 1995: C2. Print. Lippard, Lucy R. The Pink Glass Swan: Selected Feminist Essays on Art. New York: New Press, 1995. 16-17. Print. Malbert, Roger. “Fetish and Form in Contemporary Art.” Fetishism. Exh. cat. London: South Bank Centre in association with Lord Humphries Publishers, 1995. 116, pl. 28. Print. Maxwell, Douglas F. Inside Out. Exh. cat. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1995. 9-10, 66-67. Print. McQuaid, Cate. “The Ways of All Flesh.” Boston Phoenix 3 February 1995: 1-2. Print. Murdoch, Sadie. “New York in Brief.” Women’s Art Magazine July/August 1995: 3, 5, 18-21. Print. Nixon, Mignon. “Bad Enough Mother.” October Winter 1995: 71-92. Print. Ratcliff, Jonathon. “Absolutely Imperfect.” Daily Hampshire Gazette 25-26 February 1995. Print. Riddell, Jennifer L. “The Abject Object.” New Art Examiner October 1995: 26-31, 53. Print. Russell, Gloria. “‘Imperfect’ Show Features Flawless Perceptions.” Springfield Sunday Republican 5 March 1995: F2. Print. Sherman, Mary. “Female Artists Express Their Gender.” Boston Herald 25 January 1995: 46. Print. Shottenkirk, Dena. “New York in Brief.” C Magazine Summer 1995: 39. Print. Stapen, Nancy. “Feminine Dialogues: A Tempest from Oppenheim’s Teacup.” Boston Sunday Globe 29 January 1995. Print. Stuart, Elizabeth. “Musings.” The Muse: Transforming the Image of Woman in Contemporary Art. Exh. cat. Paris and Salzburg: Galerie Thaddaeus Ropac and Salzburg Festival, 1995. 8, 117-20, 169. Print. Watkins, Eileen. “Watch and Wear: Clothing as Visual Art.” Sunday Star Ledger 17 December 1995: sec. 4, 14. Print. Watson, Bruce. “The Real World Lives of Artists.” Daily Hampshire Gazette 21 February 1995. Print. Wilson, Elizabeth. “Strange Objects of Desire.” Independent 30 May 1995: 21. Print. |
1994 | Drohojowska-Philip, Hunter. “And When They Were Bad. . . . ” Los Angeles Times 16 January 1994: 4. Print.Gargiulo, Thomas. “In the Lineage of Eva Hesse.” Art New England October/November 1994: 46-47. Print.Hess, Elizabeth. In the Lineage of Eva Hesse, Blood Sisters. Exh. cat. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994. 5-8, 64-66. Print.
Kuspit, Donald. “The Decline, Fall and Magical Resurrection of the Body.” Sculpture May/June 1994: 20-31. Print. Myers, Terry R. Object Bodies. Exh. cat. Greencastle, Ind.: Depauw University, 1994. 5, 18. Print. Myers, Terry R. “Rona Pondick: What Happened?” Galeries February-March 1994: 106. Print. Pohlen, Annelie. Uber Leben. Exh. cat.Bonn, Germany: Bonner Kunstverein, 1994. 32-34, 38, 94-95. Print. Smith, Roberta. “Body of Evidence.” Vogue August 1994: 150, 152, 154. Print. Stapen, Nancy. “Rona Pondick at Howard Yezerski.” Art News March 1994: 145. Print. Tucker, Marcia, and Marcia Tanner. Bad Girls. Exh. cat. New York: New Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1994. 88, 123. Print. |
1993 | Fujimori, Minami. “From New York.” Bijitsu Techo August 1993: 126-27. Print. Hagen, Charles. “In Connecticut: Clothes.” New York Times 23 July 1993: C25. Print.Hess, Elizabeth. “Indecent Exposure.” Village Voice 12 January 1993: 83-84. Print. Hess, Elizabeth. “Basic Instincts.” Village Voice 1 June 1993: 83. Print. Hirsch, Faye. “Rona Pondick.” Art in America November 1993: 126. Print. Levin, Kim. “Voice Choices.” Village Voice 25 May 1993: 67. Print. Knight, Christopher. “Faceless Critics, Harmless Art.” Los Angeles Times 24 January 1993: 90-91. Print. Mahoney, Robert. “Rona Pondick.” C Magazine Fall 1993: 77. Print. Pinchbeck, Daniel. “Openings: Rona Pondick.” Art and Antiques May 1993: 22. Print. Saltz, Jerry. “Critics Diary, Mayday, Mayday, Mayday.” Art in America September 1993: 41-45. Print. Seward, Keith. “Rona Pondick.” Artforum November 1993: 106-07. Print. Smith, Roberta. “Examining Culture Through Its Castoffs.” New York Times 28 November 1994: 39, 44. Print. Zimmer, William. “Yale Celebrates Its Artists and Its Collectors Since 1950.” New York Times 27 June 1993: C14. Print. |
1992 | Adrenne, Paul. “Rona Pondick at Galerie Thaddaeus Ropac.” Art Press 172 September 1992: 73. Print.Aya and Gal. “Something That Only Women Have.” Jerusalem Voice 11 November 1992: 38. Print.Cameron, Dan. “The Changing Tide.” Art and Auction January 1992: 50-54. Print.
Cameron, Dan. “Don’t Look Now.” Frieze 3 January 1992: 4-8. Print. Coller, Barbara. The Edge of Childhood. Exh. cat. Huntington, N.Y.: Heckscher Museum, 1992. 20. Print. Golan, Yehuda. “Rona Pondick.” Ma’ariv 9 November 1992: 62. Print. Heinick, Angelika. “Skandal um Rona.” Frankfurter Allgemeine Zeitung 27 June 1992: 33-34. Print. Hess, Elizabeth. “Dirty Laundry.” Village Voice 12 May 1992: 91. Print. Hills, Patricia. “The Naked Body, Censorship and the NEA.” Art New England August/September 1992: 14-16. Print. Kalin, Tom. “Plastic Fantastic Lover (Object A).” Artforum January 1992: 102. Print. Kuspit, Donald. “Images of an Innocence That Never Was.” The Edge of Childhood. Exh. cat. Huntington, N.Y.: Heckscher Museum, 1992. 27 pl. 15, 16. Print. Landau, Suzanne. Pink and Brown. Exh. cat. Jerusalem: Israel Museum, 1992. Print. McCracken, David. “Power Play.” Chicago Tribune 14 February 1992: sec. 7, 72. Print. Mesch, Claudia. “Power Play.” New Art Examiner September 1992: 33-34. Print. Myers, Terry R. “Abstraction Gets a Life.” Tema Celeste Summer 1992: 82. Print. Quinn, Michael. “Rock to Rescue.” Time 1 June 1992: 89. Print. Schwabsky, Barry. “Shamelessness.” Sculpture July-August 1992: 44-51. Print. Seward, Keith. “Psycho.” Artforum September 1992: 106-07. Print. Shefi, Smadar. “Men’s Shoes and Pink Lace.” Ha’aretz 11 November 1992. Print. Spector, Buzz. “View to a Room.” Bedroom Eyes: Room with a View. Exh. cat. Fullerton: Fullerton Art Gallery, California State University, 1992: p. 17. Print. Sperling, Tamira. “Exhibit Challenges Sexual Stereotypes.” Art and Performance 14 February 1992: 5. Print. Watten, Barrette. “A Condition of Loss: ‘Childhood Revisited’ at Rena Bransten Gallery.” Artweek 9 January 1992: 12. Print. Watts, Tricia. Bedroom Eyes: Room with a View. Exh. cat. Fullerton: Fullerton Art Gallery, California State University, 1992. 11. Print. Western, Mirjam. “Verlichting of Vernietiging?” HN Magazine October 1992. Print. |
1991 | Armstrong, Richard, John Hanhardt, Richard Marshall, and Lisa Phillips. 1991 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1991. 210-13. Print.Boschman, Hella. “Baby und Bottles. Frauen im Aufwind.” Die Welt/Hamburg July 1991. Print.Brenson, Michael. “Foot and Mouth.” New York Times 3 May 1991: C19. Print.
Cameron, Dan. Just What Is It That Makes Today’s Homes So Different, So Appealing?. Exh. cat. Glens Falls, N.Y.: Hyde Collection, 1991. 15. Print. D’Amato, Brian. “Rona Pondick.” Flash Art November/December 1991: 134. Print. Flam, Jack. “Pluralistic and Perky.” Wall Street Journal 22 May 1991. Print. Heartney, Eleanor. “The Whitney Biennial.” Art News Summer 1991: 143-44. Print. Hess, Elizabeth. “Nasty Girl.” Village Voice 7 May 1991: 85. Print. Johnson, Ken. “Generational Saga, The Whitney Biennial.” Art in America June 1991: 44-51. Print. Leigh, Christian. “The 1991 Whitney Biennial.” Flash Art Summer 1991: 161. Print. Levin, Kim. “Voice Choices: Foot and Mouth.” Village Voice 3 May 1991: 9. Print. Levin, Kim. “Voice Choice: Plastic Fantastic Lover (Object A).” Village Voice 5 November 1991. Print. Mahoney, Robert. “Vertigo.” Contemporanea January 1991: 104. Print. Neff, Eileen. “Rona Pondick.” Artforum September 1991: 133. Print. Schor, Mira. “You Can’t Leave Home Without It.” Artforum October 1991: 114-19. Print. Smith, Roberta. “Plastic Fantastic Lover (Object A).” New York Times 1 November 1991: C16. Print. Tanaka, Hiroko. “Art in New York.” Hifashion August 1991: 162-63. Print. Yau, John. “‘Rope,’ Colgados de Hitchcock.” Guía del Ocio 80 7 June 1991. Print. Zaya, Octavio. “Revisión y conseno Bienal 91.” Diario 16 11 May 1991: 4-5. Print. |
1990 | Altshuler, Bruce. “Collector on the Couch.” Art Issues February 1990: 21-22. Print.Anderson, Michael. “mamamamama.” Art Issues September/October 1990: 33. Print.Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporanea September 1990: 66-73. Print.
Humphrey, David. “Hair Piece.” Art Issues February 1990: 17-20. Print. Kandel, Susan. “L.A. in Review.” Arts Magazine September 1990: 107. Print. Pagel, David. “mamamamama.” Artscribe September/October 1990: 91-92. Print. Wilson, William. “mamamamama.” Los Angeles Times 1 June 1990: F15. Print. Yau, John. Diverse Representations 1990. Exh. cat. Morristown, N.J.: Morris Museum, 1990. 9, 36-37. Print. Zimmer, William. “Sculpture by Novel Means.” New York Times 4 November 1990: 22. Print.
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1989 | Braff, Phyllis. “Ideas and Form on the Edge.” New York Times 7 May 1989. Print.Bonetti, David. “ICA Gets Current Again.” Boston Phoenix 9 March 1989: 7, 19. Print.Brenson, Michael. “A Show’s Instructive Provocation.” New York Times 17 March 1989: C28. Print.
Fox, Catherine. “Provocative Sculpture Explores Egos.” Atlanta Journal 1 June 1989: C3. Print. Gookin, Kirby. Bed Milk Shoe. Exh. cat. New York: fiction/nonfiction, 1989. Print. Hess, Elizabeth. “Voice Choices: Bed Milk Shoe.” Village Voice 24 October 1989: 50. Print. Hirsch, David. “X-Rated Summer Tensions.” New York Native 17 July 1989: 34-35. Print. Joselit, David. Currents: Rona Pondick. Exh. broch. Boston: Institute of Contemporary Art, 1989. Print. Levin, Kim. “Voice Choices: ‘Erotophobia.’” Village Voice 18 July 1989: 52. Print. Liu, Catherine. “Another Voice: Let’s Get Real.” Village Voice 1 August 1989: 90. Print. Mahoney, Robert. “Bed Milk Shoe.” Arts Magazine December 1989: 92. Print. Spector, Buzz. “A Profusion of Substance.” Artforum October 1989: 120-28. Print. Stapen, Nancy. “Body and Soul.” Boston Herald 10 February 1989: S17, S19. Print. Temin, Christine. “Unpleasant Art Without a Point.” Boston Globe 10 February 1989: 46. Print. Wagner, Judy Collischan van. Lines of Vision: Drawings by Contemporary Women. Exh. cat. New York: Hudson Hills Press, 1989. 113, 166. Print. |
1988 | Altshuler, Bruce. “Rona Pondick: Sculpture and Installation.” Beds. Exh. cat. New York: Sculpture Center, 1988. Print. Baker, Kenneth. “Impressions of the Future.” Collaborations in Monotype, 1988–89. Exh. cat. Santa Barbara, Calif.: University Art Museum, 1988. 44-45. Print. Barasch, Amy. “New This Week.” Seven Days 24 September 1988: 54. Print.Brenson, Michael. “Rona Pondick.” New York Times 20 May 1988: C28. Print. Brenson, Michael. “Rona Pondick—Beds.” New York Times 9 September 1988: C20. Print. Connor, Maureen. “Rona Pondick.” Arts Magazine May 1988: 84. Print. Hess, Elizabeth. “Ladies’ Rooms.” Village Voice 24 May 1988: 109. Print. Hinders, Margaret. “Soiled Sheets.” 108: Review May/June 1988: 4-5. Print. Hullenkremer, Marie. “Berge, die ihre Form verandern.” Kölner Stadt-Anzeiger 4 May 1988: 29. Print. Kramer, Hilton. “Femininity as ‘Masquerade’ Show.” New York Observer 3 October 1988: 1, 12. Print. Levin, Kim. “Voice Choices.” Village Voice 4 October 1988: 64. Print. Myers, Terry R. “Rona Pondick.” Arts Magazine December 1988: 89. Print. Peckham, Virginia. New Artists/New Drawing. Exh. cat. New London, Conn.: Lyman Allyn Museum, 1988. Print. Plous, Phyllis. “Monotype Today.” Collaborations in Monotype, 1988–89. Exh. cat. Santa Barbara, Calif.: University Art Museum, 1988: 13-17. Print. Raap, Jurgen. “The Other New York.” Kunstforum July 1988: 295-97. Print. Trippi, Laura. Girls Night Out: Femininity as Masquerade. Exh. broch. New York: New Museum for Contemporary Art, 1988. Print. |
1987 | Brenson, Michael. “Peter Flaccus, Helen Miranda Wilson, and Rona Pondick.” New York Times 23 July 1987: C23. Print. Cohen, Ronny. “New Abstraction.” Print Collector’s Newsletter17 no.1 1987: 12-14. Print. |
1986 | Brenson, Michael. “Emerging Sculptors: 1986.” New York Times 26 December 1986: C30. Print.Kingsley, April. “Highly Specific Objects.” Emerging Sculptors: 1986. Exh. cat. New York: Sculpture Center, 1986. 4, 10, 11. Print. |
1985 | Watkins, Eileen. “Jersey City Museum Explores Modern Mystery.” Sunday Star-Ledger 26 May 1985: E45. Print. |
1984 | Raynor, Vivien. “Exceptional and New.” New York Times 13 July 1984: C30. Print. |